Skip to main content

Sweet Dreams

Hey Soul Mates,
we were here last year, too. I'm going to put in my two cents about the American Music Awards. It was an entertaining show again this year for all the wrong reasons. The absolutely stunning (though thick) Mariah Carey opened the show. She really sang, but she nearly killed herself losing balance in her high heels. Girl, leave the dancing to Ciara. Things went downhill from there. Most of the performances were either bad or country. My appreciation for the musicianship of the country performers was elevated by the wretched pop performances.

Sad, horse-toothed Hilary Duff lip-synched her way through a "brand new song." Yawn. She practically tripped over her backing dancers and was clearly not singing. But she was preceded by the new brunette version of Linsday Lohan who did sing. Awfully. Her voice was weaker than diner coffee and the sound engineers did her no favors. Her movement was awkward and she kept her eyes closed for most of her routine. A clear sign that she was scared to death. It was like watching a kitten drown. Compelling, guilt-inducing and ultimately unbearable. As her song came to a close, I breathed a sigh of relief... until she launched into an inexplicable cover of Stevie Nick's Edge of Seventeen. What the hell?! And it went on and on and on. I thought I'd never see a performer more out-of-place or stroke inducing than Ashlee Simpson. My apologies Ms. Simpson, but you just got your crown stoled!! I still love Ms. Lohan as an actress, but this should be the swansong of her singing career. And go back to red hair.

Cedric the Entertainer was alright at the MC. Babyface introduced some hilarious clips that highlighted past broadcasts. The show need more of these. Or maybe less, because it punctuated the fact that last night's show was lacking in anything interesting going on or any compelling performances.

The highlights of the night? The ladies of the 80's. Cyndi Lauper did a wonderful acoustic version of Time After Time. But the show-stopper was Eurythmics. They came blasting out of the gates with Missionary Man, which segued into Sweet Dreams (Are Made Of This). They flat out rocked and Ms. Annie Lennox ruled the stage. She sang with more gusto than any of the macho country or hip-hop acts. Her vocals were authoritative and soulful. Of course, you have to credit Dave Stewart, the duo's multi-instrumentalist for keeping their signature sound intact. Their singles in the 80's are classics in my experience. I remember going to the record store and plunking down $1.99 for their 45s. And Eurythmic's lp Be Yourself Tonight is still a powerhouse. I really hope they tour behind their new greatest hits lp. They showed what a band should do on live TV. The only other "band" performance last night was All-American Rejects who gamely made their way through a song. We need more bands!

Of course, it's a sad state of affairs that the show had to be rescued by two 20 year old acts (even the Rolling Stones were boring via satellite). But they both made convincing arguments for their consideration for the Rock Hall. Ms. Lauper may only be nominated, but Eurythmics belong in the Rock Hall. Good God, y'all. I'm going to play them in the car today.

Have a Happy Thanksgiving everyone.
Love, Power, Peace and pumpkin pie.

Comments

Popular posts from this blog

Welcome Home, Roscoe Jenkins (Review)

I'm just in from the world premiere of Welcome Home, Roscoe Jenkins . WHRJ is the new comedy starring Martin Lawrence, directed by Malcolm Lee ( Roll Bounce ; Undercover Brother both underrated and well-worth your time) . It's the story of a Hollywood hotshot who takes his new fiancee and his son to his parents' 50 th wedding anniversary/family reunion. Mr. Lawrence as usual shows off his comedic genius. He has steadily become a sure bet in Hollywood. This time Lawrence is flanked by a cast of stars that at times threaten to steal the movie. Mike Epps (Reggie, a straight-up fool) and Mo'Nique (Betty) in particular shine in their roles as cousins to Lawrence's talk show king, RJ Stevens aka Roscoe Jenkins. The gift of gab runs deep in this family. Michael Clarke Duncan has never made me laugh so hard as Otis, Roscoe's unlikely little brother. Anytime the three of them were on screen the audience's laughter drowned out the dialogue. Watch for the softba...

Murderous Haircut of the Mayor of Bel Air - Book Review

“The Murderous Haircut of the Mayor of Bel Air” is a trippy new mystery novel from Phillip Mottaz. It captures the grit and gilt of the City of Angels with the flair of a contemporary Raymond Chandler. The brisk pace and wit are reminiscent of Douglas Adams’s entries in the detective game. Flourishes of  Fletch  and “Medium” also spring to mind. However, Mottaz has added a psychic/mutant/superhuman touch and his own comedic voice, structure and internal monologues to the proceedings that help the author announce his own style and the arrival of a literary heroine for a new generation. Hairstylist and budding private investigator, Danica Luman is the perfect character to convey the irony, angst and sarcasm needed to tell a 21st century L.A. crime story. Danica also represents anyone who thought it would be neat to get tangled up in a mystery and the darkly comic cautionary tale that follows. The genre is recognizable, but Mottaz offers a fresh take on the not-ready-for-prime-ti...

Rush Hour Soul Returns

Hey Soulmates, been some time, but many of you on Facebook have already seen that Rush Hour Soul is back. I am very excited that while we are looking back at the 15th anniversary of our 2006 UK tour, there are things happening behind the scenes for 2021. For those unfamiliar, Rush Hour Soul is a trio with myself on bass and lead vocals. We were a part of the Indie/Powerpop scene in Los Angeles from 2004-2008, although our style was heavily informed by the Rolling Stones, Chic, ABC, and Sam & Dave. Funkier than our peers.  The well-known venues Rush Hour Soul played around Los Angeles included The El Rey, B.B. King's Blues Club and The Hard Rock Cafe. Our travels in Britain took us to Sheffield, Liverpool, York and back to London. There was a four day detour to Monnow Valley Studios in Wales where recorded in the old manor house. We shot a music video in London, as well. 2006 was a magical summer for the band. In 2008, the project was rechristened as a solo recording under my n...